Partenope, Cambridge Handel Opera

"..and newcomer Matilde Wallevik, beautifully velvety of tone as the lovesick Prince of Rhodes."

— Rodney Milnes, TheTimes

"Matilde Wallevik sang Armindo's music with charming warmth and purity of tone"

— Winton Dean, Opera Magazine

Amadigi, Batignano Festival

"Matilde Wallevik displayed continuous crescendo throughout the evening. Thanks to a beautiful voice with dark shades, perfect command of Italian diction and a theatrical sense for the language, she portrayed the character of Dardano as an adolescent hero true to the baroque and neoclassical tradition."

— Giulia Vannoni, Amadeus, Italy

Don Carlo, Opera M.

“Danish mezzo-soprano Matilde Wallevik, playing Elisabetta's rival, Princess Eboli, was stunning. Her Moorish Song of the Veil echoed round and round the church and the famous aria "O don fatale", cursing her fatal beauty, was dramatic.”

— Market Harborough Gazette

Le Nozze di Figaro, Pavilion Opera

“As Cherubino she was bold as a soldier- with a broom as a musket and coal shuttle as shaker; in difficulty with high heels and a frock. And she sang as sweetly as a bird and was the most outstanding singer in an exceptional cast.”

— Market Harborough Gazette

Cosi fan Tutte, Tiroler Landesteater

“As Dorabella there was Matilde Wallevik- pretty as a picture -a tall young lady from the far North with a notably beautiful timbre of voice and rounded tones. Her aria in the 2nd Act was a feast for the ear without compare.”

— Diettmar Plattner, BTV, Austria

Carmen, Linneateatern

“Matilde Wallevik succeeded in mediating Carmen’s personality with accuracy, yes at times she was Carmen! Her mezzo voice rang with both power and beauty.”

— Barometern, Kalmar

“The stage is dominated by Matilde Wallevik. She sings with stunning beauty with her gorgeously dark soprano voice. When she makes her entrance with the Habanera one shudders with pleasure. She performs Carmen as Carmen should be.”

— Smålandsposten, Växjö